LISTENING GUIDE
Liniker’s Indigo Borboleta Anil: begin with one voice, then widen the frame
A catalogue introduction that makes space for the people around a singer.
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THE WORLD, ON REPEAT
New releases. New connections. Your next discovery.
Atlas 100 · Browse the world edition ↗
Written release reporting and listening prompts, with the sources close at hand. AI-assisted articles are labeled individually.
LISTENING GUIDE
A catalogue introduction that makes space for the people around a singer.
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ARTIST INTRODUCTION
A catalogue introduction that keeps the album and the artist connected.
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LISTENING GUIDE
A catalogue guide that leaves space between voice, language and response.
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ARTIST INTRODUCTION
An album introduction with room for the transitions.
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LISTENING GUIDE
Real World’s release notes keep the collaboration and its context together.
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ARTIST INTRODUCTION
A first encounter that begins with a complete recording, not a translated slogan.
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LISTENING GUIDE
Remain in Light offers a defined stop inside a wide-ranging catalogue.
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ARTIST INTRODUCTION
A back-catalogue listening exercise in duration and attention.
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LISTENING GUIDE
A debut full-length that offers a focused entry into a wider creative practice.
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ARTIST INTRODUCTION
A record introduction grounded in the original label announcement.
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LISTENING GUIDE
The album’s recording notes point from a home studio to a shared musical world.
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ARTIST INTRODUCTION
The debut album’s own notes offer an organizing idea without closing the story.
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LISTENING GUIDE
The artist’s own album notes offer a route into its island setting.
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ARTIST INTRODUCTION
A complete-record route beyond the first clip or recommendation.
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LISTENING GUIDE
Sometimes I Might Be Introvert gives self-examination a full album to unfold.
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ARTIST INTRODUCTION
The artist’s biography places this album inside a much longer practice.
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LISTENING GUIDE
A catalogue introduction with room for more than one route through pop.
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ARTIST INTRODUCTION
A 2008 catalogue stop with twelve clearly marked entry points.
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LISTENING GUIDE
The official album notes place change at the center of this second record.
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ARTIST INTRODUCTION
A listening guide that begins with a record rather than an aesthetic.
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LISTENING GUIDE
A catalogue detour for listeners ready to stay beyond one familiar song.
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ARTIST INTRODUCTION
The debut EP offers a defined route into the Nigerian singer-songwriter’s work.
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LISTENING GUIDE
An album guide built around three titles in Utada’s official release notes.
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ARTIST INTRODUCTION
A compact route through the album’s named collaborations.
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LISTENING GUIDE
Start with “Chocolate.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “I Did It Mama - Radio Edit.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Vũ Điệu Cồng Chiêng,” credited to Tóc Tiên, Touliver. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Vũ Điệu Cồng Chiêng,” credited to Tóc Tiên, Touliver. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Johnny.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “New Black.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Cause I'm God Girl (Feat. Il Hoon Jung Of BTOB),” credited to HyunA, Il Hoon Jung. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Cause I'm God Girl (Feat. Il Hoon Jung Of BTOB),” credited to HyunA, Il Hoon Jung. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Play “Brisé - Pilule bleue” and then “Est-ce que tu m'aimes ? - Pilule bleue.” Compare how the two tracks build momentum before the hook arrives.
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LISTENING GUIDE
Start with “Цунами.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “LIFTED.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Ferrari.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Lean Into My Love.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Lit.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Mean What I Mean,” credited to AlunaGeorge, Leikeli47, Dreezy. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Mean What I Mean,” credited to AlunaGeorge, Leikeli47, Dreezy. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Mean What I Mean,” credited to AlunaGeorge, Leikeli47, Dreezy. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Where Are You Now? (feat. Wiley),” credited to Lady Leshurr, Wiley. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Where Are You Now? (feat. Wiley),” credited to Lady Leshurr, Wiley. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Girls Like (feat. Zara Larsson),” credited to Tinie Tempah, Zara Larsson. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Girls Like (feat. Zara Larsson),” credited to Tinie Tempah, Zara Larsson. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Go Off.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Самая самая.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “My Number.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “I'm Gonna Break,” credited to Triple D, Hoàng Thùy Linh. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “I'm Gonna Break,” credited to Triple D, Hoàng Thùy Linh. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Boom Boom,” credited to Đông Nhi, Mei. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Boom Boom,” credited to Đông Nhi, Mei. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Bang.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “All Night Long.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Lovely,” credited to Miraya Varma, Fateh, Kanika Kapoor, Ravindra Upadhyay. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Lovely,” credited to Miraya Varma, Fateh, Kanika Kapoor, Ravindra Upadhyay. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Lovely,” credited to Miraya Varma, Fateh, Kanika Kapoor, Ravindra Upadhyay. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Lovely,” credited to Miraya Varma, Fateh, Kanika Kapoor, Ravindra Upadhyay. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Aman Aman.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “BOOMBAYAH.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Hate.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “4 Walls.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Kele Kele.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Побудь со мной.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Bangır Bangır.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Никто кроме ты.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Импульсы.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “I'm the Queen.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “K'vo ne chu.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Play我呸 - Alesso Remix Version,” credited to JOLIN, Alesso. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Play我呸 - Alesso Remix Version,” credited to JOLIN, Alesso. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Бьёт бит (Ivan Spell Remix).” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Al Yanına.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Nuestra canción.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “We are a bit different.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “人為機器 (Humans Become Machines).” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Africa.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Blacklist (Feat. LE),” credited to HyunA, L.E. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Play “Bring It On” and then “TOUCH DOWN.” Compare how the two tracks build momentum before the hook arrives.
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LISTENING GUIDE
Start with “Hijabi.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “What You Waiting For?.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “CRUSH.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Tight Nooki,” credited to Stefflon Don, Jeremih. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “Tight Nooki,” credited to Stefflon Don, Jeremih. Listen for how the voices or production share space as the track unfolds.
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LISTENING GUIDE
Start with “All The Things She Said - Fernando Garibay Remix.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
Start with “Đời.” Listen for how the rhythm sets up the first vocal entrance, then hear what changes when the hook returns.
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LISTENING GUIDE
A back-catalogue doorway into the Icelandic artist’s album-length imagination.
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ARTIST INTRODUCTION
An album-centered introduction that leaves room for identity and imagination.
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LISTENING GUIDE
Artist commentary turns a catalogue landmark into a set of specific songs.
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ARTIST INTRODUCTION
Hold The Girl connects intimate storytelling with a large pop frame.
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ALBUM ARRIVAL
The Paris producer’s debut offers an entry point for listeners who like their electronic music with a songwriter’s point of view.
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DISCOVERY GUIDE
Ten tracks, a London producer, and a good excuse to follow your curiosity beyond the usual genre shelf.
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ALBUM ARRIVAL
The Mexico City artist’s October 9 release brings eight songs, a fascination with ’80s pop, and a cast of collaborators into focus.
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ALBUM ARRIVAL
The Catalan composer’s self-released album arrived October 9, with 15 tracks and an unusually deliberate sense of structure.
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SINGLE + VIDEO
An October release pairs a Yann Tiersen reference with a video featuring Rossy de Palma and Diego Calva.
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EP ARRIVAL
The Japanese group’s US debut EP arrived October 2. Here is a straightforward way into the release, before the editions get complicated.
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COLLABORATION
The October 2 collaboration puts the two artists together on a Ragee-produced single, with a retro-minded visual world alongside it.
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EP ARRIVAL
Released October 1 through T.Y.E. / EMPIRE, the EP features Asake and FOLA and runs approximately 16 minutes.
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THE LISTENING ROOM
Keep exploring our original back-catalogue features.